In her debut novel, Nicole Hackett weaves an engaging and thrilling story that deftly explores the pervasive, and often false, world of influencer culture. When Alabama Wood goes missing two days into a promotional trip to Iceland, all of the...
Kelly Harms is one of those rare authors who create characters and stories that are so poignant and emotional, you find yourself thinking about them days later. For me, this was especially true of Becca Larkin in WHEREVER THE WIND TAKES US. ...
Carissa Ann Lynch is at the top of my list of must-read thriller authors. Every single one of her books has gripped me from the first page and kept me guessing all the way to the very end, which, inevitably, has a twist I never see coming. Her...
In THE TRUTH ABOUT BEN AND JUNE, Ben wakes up one morning to find his infant son crying in his crib and his wife, June, nowhere to be found. A suitcase is missing, but nothing else seems out of the ordinary. Did June leave by choice or did something...
I have loved every one of Taylor Jenkins Reid’s books. All of her characters are so well crafted and so relatable, even when I have so little in common with them (I’m looking at you Daisy and Evelyn.) So I was a little worried about Carrie Soto...
![I love shiny things. I mean, who doesn’t? As an author, my favourite shiny thing is a new story idea just begging to be written. A shiny new story idea that is so good it doesn’t need any work done on it. It just needs words on the page, no matter how bad they are. No matter how meandering the plot might be. No matter how shallow the characters might feel. (Can you see where I’m going here?)
Fast drafting a shiny new idea has been my process for the last four books I’ve written. I get a premise or a hook or a scene or a single character in my head and I dive head first into writing the book. The characters reveal themselves along the way and eventually I figure out a coherent plotline.
Each of these shiny books took me 3-5 months to draft and they’re good stories. People I trust and respect have told me that. But they’re not great, and perhaps more telling, they haven’t sold. So this time around, I’m trying something different. The premise for my latest project appeared in my brain way back in September and as of today, I have yet to write a single word of the story.
Instead, I’ve been sitting with the idea. Letting it percolate in my head. Working on in-depth character profiles. Diving deep on setting research. Writing a full synopsis that includes every little nuance of the story including the twists and turns and surprises.
While this idea has been marinating, I’ve also been re-reading my favourite craft books and attending writing webinars. When I attended the Surrey International Writers Conference in October, instead of going to sessions on revision or fast drafting, I picked sessions that focused on themes and hooks. Big picture things. Heart of the story things.
This story is now a living, breathing entity inside me. I know it will be the best book I’ve ever written. I’m confident it will sell and, more importantly, connect with readers. Not only because it’s a good premise with a good hook, but because by giving it time to sit inside me, it has depth and meaning. It is a story I need to tell. One I simply must write.
[continued in the comments…]](https://scontent-dfw5-2.cdninstagram.com/v/t51.29350-15/318617994_6069329849744877_8460063925632055090_n.jpg?_nc_cat=100&ccb=1-7&_nc_sid=8ae9d6&_nc_ohc=szysA7Xlwj0AX96DsK1&_nc_ht=scontent-dfw5-2.cdninstagram.com&edm=ANo9K5cEAAAA&oh=00_AfCX7AzU625j1_C25n5gUAvCjP5lU1CdPzm60iWNEIsMeg&oe=6398F36A)
